
The brain perceives the sounds in taketa as hard and sharp, the characteristics of the lines in the symbol on the left. I colored taketa red -- warm colors come forward (are hard and sharp?). The sounds in naluma, are perceived as softer and smoother (but do they necessarily recede?).
Marketers design and name products accordingly (there's a lot more research on perceptual responses to sound and form and color).
Fascinating Fact: One of the first sounds babies produce is formed when the lips come together, as in the sucking response -- [m]. Of course that sound is soft and smooth -- like [M]ama!
How does this interesting linguistic information relate to art? Perhaps in naming a piece, perhaps in pondering curved vs. angular lines. Whaddya think?
Let's revisit my alstromerias (see the "a military aesthetic" post). Here are my photos and my initial transformations:




I liked the combination of curved lines with a few sharp angles. They seemed to capture the lyricism of the flower.
The design in the cool color version intrigued me. Aha, I could create it in fused glass and incorporate that into a piece!
And here's the rub. The incarnation in glass was...well, er, uh...ugly. Not only was it ugly, it fractured big time a few hours after I took it out of the kiln (turns out the types of glass I used were incompatible, kinda like Montagues and Capulets, or Rosie and The Donald). Here is the piece, a failure on many levels:

The whole design was a disaster -- it was too literal, the green glass was too opaque, and I had lost the whole feel of the flower.
But wait! I could play with the photo of my failed glass! I could print the results on fabric, or just admire the photos! So here's the result of a few hours' play:
First, crop to get a strong diagonal line, focus on those tiny bubbles:

Hey, that fracture line is way cool!
How about something I could print on fabric?

Kinda batik-y. How about another crop and something that would have a repeat design?

Or something that resembled deconstructed screen printing, but without the mess?

Well, the glass failure was not a failure at all, just fun fodder! I will make another alstromeria-based fused glass piece for a future project.
Meanwhile, I made another pass at the initial flower photos, and came up with this:

I combined that with some further incarnations of the blue piece (in my initial group of photos, way above), and ...voila! Something I reeeeeeeally liked!

Multiples of this image totaling 40" were printed on silk satin (yes, you can set your own printer to do this in Photoshop!):

This will become a wall hanging -- but, a conundrum. How to quilt it? I graciously welcome your collective input...
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